House Bill 2504 Fall 2012 Course Syllabus ARTS-1301-06 - Art Appreciation
Fall 2012 Course Syllabus
ARTS-1301-06 - Art Appreciation
|Instructor||Osborne, Angela Robin|
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|Course Description||An introductory course emphasizing the understanding and appreciation of visual arts (painting, sculpture, architecture).|
|Required Textbooks||Living with Art. 9 e, Mark Getlein, McGraw Hill, New York, NY|
Students are allowed two absences (excused or unexcused) total. A third absence will result in a dropping of a letter grade from the final course grade. 5 or more absences require a meeting with the instructor and may result in students failing this course.
|Course Grading Scale||90 - 100 = A 80 - 89 = B 70 - 79 = C 60 - 69 = D Below 59 = F|
|Determination of Final Grade||
60% of final grade will be a combination of Exams,Quizzes and Final
40% of final grade will be a combination of Hands-on-Work; attendance and class participation
|Final Exam Date||December 11, 2013 - 8:00 AM|
PART ONE: INTRODUCTION
Part One (Chapters 1–3) provides a general introduction to the study and appreciation of art.
Week 1: Chapter 1 Living with Art
Week 2: Chapter 2 What Is Art?
Week 3: Exam
Week 3: Chapter 4 Visual Elements
Week 4: Chapter 5 Principles of Design
Week 5: Chapter 6 Drawing
Week 5: Chapter 7 Painting
Week 5: Chapter 8 Prints
Week 5: Chapter 9 Camera and Computer Arts
Week 5: Chapter 10 Graphic Design
Week 6: Chapter 11 Sculpture and Installation
Week 6: Chapter 12 Arts of Ritual and Daily Life
Week 7: Exam
Week 7: Chapter 13 Architecture
Week 8: Chapter 14 Ancient Mediterranean Worlds
Week 9: Chapter 16 The Renaissance
Week 10: Chapter 17 17th and 18th Centuries
Week 12: Chapter 20 Arts of the Pacific and the Americas
Week 13: Chapter 21 The Modern World: 1800-1945
Week 14: Chapter 22 From Modern to Postmodern
Week 15: Chapter 23 Opening Up to the World
Week 16: Final Exam
|Calendar of Lecture Topics and Major Assignment Due Dates||
PART ONE: INTRODUCTION
Part One (Chapters 1–3) provides a general introduction to the study and appreciation of art.
Chapter 1 Living with Art
1. Art Before History: Discovering the Earliest Forms of Visual Art
2. The Patron: An Artist’s Dream or Nightmare
3. Why Do People Talk About Art? Art Criticism from Classical Times to the Present
4. The Expressive Art and Writings of Van Gogh
5. Maya Lin: Art for the Public and Art with a Purpose
6. Why Art Doesn’t Send the Same Message to Everyone
Chapter 2 What Is Art?
1. How symbolism expands the meaning of an art work
2. The life and work of Andy Warhol
3. The inter-relationship of art, artists, fame, and value
4. The relationship between words and images in various cultures
5. Art and its audiences
6. Art as a cultural artifact; art as personal expression
7. Outsider Art: Artworks and their artists
PART TWO: THE VOCABULARY OF ART
Part Two (Chapters 4–5) is a thorough analysis of the elements and principles of design in art, with detailed explanations and many illustrations.
Chapter 4 Visual Elements
1. Compositional journeys – how artists’ compositions lead the viewer’s eye
2. Defining space in on a flat plane – linear and atmospheric perspective
3. The power of colors and their emotional and mental effects
4. Japanese prints and their impact on European art.
Chapter 5 Principles of Design
1. Using scale and proportion to communicate ideas
2. Analyzing composition and compositional elements
3. Guiding the eye through emphasis
PART THREE: TWO-DIMENSIONAL MEDIA
Part Three (Chapters 6–10) covers the two-dimensional media, and devotes a chapter to each
of the major categories: drawing, painting, prints, the camera and computer arts, and graphic design.
Chapter 6 Drawing
1. Drawings by Leonardo da Vinci
2. Conceptual art and the role of the viewer/participant
3. Contemporary wall drawings
4. The characteristics and appearances of various drawing materials
5. Drawing throughout history
6. The intimacy of the drawn line
7. Drawing personal responses
8. Drawing in preparation for works in other media
Chapter 7 Painting
1. Artists who prefer a single medium; artists who experiment with various media
2. How formal aspects of painting relate to and reinforce content
3. Qualities, characteristics, and limitations of various painting media
4. Artists’ preferences for certain media to fulfill purposes of certain works
5. Painting: pre-history to post-modern
6. Painting application techniques and style
7. History and fresco painting
8. Collage and its challenge to traditional painting
Chapter 8 Prints
1. Recognizing and evaluating machine-printed versus “limited” artists’ prints
2. Connections among printmaking, music, literature, politics, and advertising
3. Historical backgrounds of printmaking techniques
4. Characteristics, materials, and techniques of the four major printing methods
5. Rembrandt and the concept of “limited” editions
6. The formal and technical influences of Asian wood cuts on 19th- and 20th-century artists
7. The diversity of media, techniques, and purposes of prints
8. How printmaking has been changed by computers and digital technology
Chapter 9 Camera and Computer Arts
1. The history of photography
2. Photography and the painter: friends or foes
3. How photojournalism influences history
4. Movies: The history of an industry
5. Expanding concepts of art: video and digital imaging
6. The emotional impact of photography and film
7. The auteur and the amateur in film and video
Chapter 10 Graphic Design
1. The history of graphic design and the use of symbols
2. Graphic design as a tool for social and political change
3. Designing for media in the 21st Century
4. Web page as billboard
5. From handbill to blog: the evolution of advertising
6. Logos throughout history
7. The use of graphic design in art
PART FOUR: THREE-DIMENSIONAL MEDIA
Part Four (Chapters 11–13) covers the three-dimensional media with a chapter each for sculpture and installation, crafts, and architecture, including environmental design.
Chapter 11 Sculpture and Installation
1. Sculpture and the spiritual and physical worlds
2. Sculpture and the human body: figurative and metaphorical
3. The influence of African sculpture on European modernism
4. The artistic translation of a work from medium to medium
5. The permanent or impermanent qualities of a work of art
6. The viewer’s or patron’s interpretive role in accepting or rejecting works of art
7. Christo and Jeanne-Claude: purpose, process, performance, and promotion
Chapter 12 Arts of Ritual and Daily Life
1. Crafts: the useful arts
2. Major methods of forming and finishing clay works
3. Glass works from Roman to contemporary times
4. The history of metal crafts
5. New craft materials and techniques of the 21st century
6. Non-western craft traditions and materials
7. The re-evaluation and appreciation of traditional Native American crafts in the 20th century and today
8. Crafts as fine art
Chapter 13 Architecture
1. The history and technological development of structural systems in architecture
2. The development and use of non-traditional materials for building
3. Interrelationships between cultural lifestyles and traditions, and architectural design
4. The Rural Studio: student architects meet the community and its needs
5. The Crystal Palace: architecture meets industry
6. The elements of art and principles of design as applied to architecture
7. Designing and building for function and purpose
8. Green architecture: conserving Earth’s resources through design
PART FIVE: ARTS IN TIME
Part Five (Chapters 14–23) gives a brief chronological history of art from earliest times to the present. The part begins with “Ancient Mediterranean Worlds,” which introduces the oldest art on four continents; continues with chapters tracing Western art history; the arts of Islam and of Africa; arts of East Asia; and arts of the Pacific and the Americas. This part includes a chapter on the modern world, and art history since 1945.
Chapter 14 Ancient Mediterranean Worlds
1. Changing interpretations of the significance of cave art
2. The stability and continuity of Egyptian civilization and art
3. The developing styles of Greek representations of the human body
4. Multiculturalism in the Roman world
5. Neolithic technological advances and the development of civilization
6. Beliefs about the afterlife and their influences on art and architecture
7. The Amarna period in Egyptian art, religion, and history
Chapter 15 Christianity and the Formation of Europe
1. The causes and effects of the decline of the Roman presence in Western Europe
2. Structural systems and styles of architecture in the Middle Ages
3. Byzantine influence on art, architecture, and crafts
4. Differences between Western European and Byzantine art and religious expression
5. Finding evidence of the influence of animal-style art throughout northern Europe
6. The Holy Roman Empire and emerging European kingdoms
7. Contrasting the Romanesque and Gothic styles
Chapter 16 The Renaissance
1. The historical background of the Renaissance
2. The emergence of new techniques and media in the Renaissance
3. The Protestant Reformation and the Northern Renaissance
4. Renaissance humanism and changing attitudes toward the individual
5. The Classical foundations of the Renaissance
6. The rising status of the arts and artists
7. The Medici, the Church, and other important patrons of Renaissance artists
8. The traditional subjects of Renaissance painting
9. The elements of art and principles of design in Renaissance art
Chapter 17 17th and 18th Centuries
1. Monarchies and colonies in the 17th and 18th centuries
2. Renaissance order and Baroque dynamism
3. Art that reflects absolute power
4. Bernini’s environments: Baroque theatricality and the Cornaro Chapel
5. Versions of the Baroque in various European countries
6. The new patrons of art of the Baroque era
7. The power of artists to create images of political and personal power
Chapter 21 The Modern World: 1800-1945
1. Paul Gauguin: his search for his own truth in subject and style
2. Picasso and Braque: the fragmentation of the image
3. Cézanne and the foundations of Cubism
4. The “isms” and expanding definitions of 19th- and 20th-century art
5. Photography and painting: ways in which technology changed artists
6. Subjects and technique in academic art of the 19th century
7. The Impressionists: breaking away from the academy and the studio
8. The effects of wars and politics on 20th-century art movements
Chapter 22 From Modern to Postmodern
1. Postmodern art and the incorporation of the non-visual: words, music, and theater in contemporary art
2. The last half of the 20th century and the art of the United States
3. The New York School and improvisation
4. Society, politics, and the American art scene in the Sixties and Seventies
5. Conceptual art: images in the service of ideas
6. Art, human bodies, and the human spirit
Chapter 23 Opening Up to the World
1. Contemporary art across borders
2. The effect of globalization on the art world
3. The media and methods of contemporary artist
|General Education/Core Curriculum Student Learning Outcomes||
|Program Student Learning Outcomes||
PSLO ALPHA: Reading skills - Demonstrates comprehension of content-area reading material.
Identifies all main ideas, supporting details, and vocabulary in reading material; demonstrates a full understanding of the reading.
PSLO 1: Critical Thinking Skills – Uses creative thinking, innovation, inquiry and analysis, evaluation and synthesis of information.
Creatively identifies problem, argument, or issue (to determine extent of information needed); differentiates the facts from opinions as relates to situation; constructs possible solutions or prediction or consequences; uses logical, sound reasoning to justify conclusion.
PSLO 2: Communication Skills – Demonstrates effective development, interpretation and expression of ideas through written, oral and/or visual communication.
Expresses a strong thesis; organizes information with effective transitions & sequencing of ideas; uses substantial, logical & specific development of ideas; details are relevant, original, credible and correctly documented when appropriate to show an effective development and interpretation of ideas; and presents ideas in appropriate mode of expression for the task.
PSLO 5: Social Responsibility Skills - Expresses intercultural competence, knowledge of civic responsibility, and the ability to engage effectively in regional, national, and global communities.
Identifies cultural characteristics (including beliefs, values, perspectives and/or practices); demonstrates knowledge of civic responsibility; provides evidence of experience in civic- engagement activities; and describes what she/ he has learned as it relates to a reinforced and clarified sense of civic identity in local, regional, national, or global communities; and shows awareness of one’s own culture in relation to others.
PSLO 6: Personal Responsibility Skills – Integrates choices, actions and consequences in ethical decision-making.
Recognizes ethical issues when presented in a complex, multilayered (gray) context; recognizes cross- relationships among the issues; discusses in detail/ analyzes core beliefs; the discussion has greater depth and clarity showing the independent application of ethical perspectives/ concepts to an ethical question accurately; and is able to consider full implications of the application.
|Course Student Learning Outcomes||
The student will be able to:
1. Understand and value the importance of art in life (PSLO Alpha, 1, 2, 5, 6) Measured by pretest/post-test, embedded test and quiz questions, group discussions, and/or oral & visual presentation rubrics
2. Acquire a basic knowledge of works of aft (PSLO Alpha,5) Measured by pretest/post-test, embedded test or quiz questions
3. Respond critically to art (PSLO 1, 2) Measured by essay rubric, embedded test or quiz questions; group discussion
4. Understand the creative process (PSLO Alpha, 1) Measured by pretest/post-test, embedded test and quiz questions, group discussions, and/or oral & visual presentation rubrics
|Academic Honesty||Academic honesty is expected from all students, and dishonesty in any form will not be tolerated. Please consult the LSC-PA policies (Section IX, subsection A, in the Faculty Handbook) for consequences of academic dishonesty.|
|ADA Considerations||The Americans with Disabilities Act (ADA) is a federal anti-discrimination statue that provides comprehensive civil rights for persons with disabilities. Among other things, this legislation requires that all students with disabilities be guaranteed a learning environment that provides for reasonable accommodation of their disabilities. If you believe you have a disability requiring an accommodation, please contact the Special Populations Coordinator, Room 210D, in the Madison Monroe Building. The phone number is (409) 984-6251.|
Some material in this course may be copyrighted. They may be used only for instructional purposes this semester,
by students enrolled in this course. These materials are being used fairly and legally.
No one may distribute or share these copyrighted materials in any medium or format with anyone outside this class,
including publishing essays with copyrighted material, uploading copyrighted material to Facebook or YouTube, or
painting or performing copyrighted material for public display.
Copyright violation is not the same thing as plagiarism. Plagiarism is intellectual dishonesty. Offenses of plagiarism result in lower grades or failing scores, and professors and the college strictly enforce plagiarism rules. There is never any acceptable use of plagiarism. Copyright violation is a legal offense, punishable by large fines and penalties.
Copyrighted material can be used if permission from the material’s creator is obtained, or if its use meets the standards of fair use in an educational setting. For example, a student can quote a line from Shakespeare’s Hamlet in a report without violating copyright but still be guilty of plagiarism if the quotation is not properly documented.
If you are in doubt about what material can be freely used, ask your professor or contact the Dean of Library Services, at (409) 984-6216.
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A Degree Plan Evaluation will help you determine which classes you need to complete your program.
All of the classes that you have taken that apply to your declared major will be listed on the right. If you have a class that still needs to be completed, a “NO” will be listed on the right next to the required class.
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