House Bill 2504 Spring 2012 Course Syllabus MUSC-1427-01 - Audio Engineering I
Spring 2012 Course Syllabus
MUSC-1427-01 - Audio Engineering I
|Instructor||Wallace, Jon-Michael Tromblee|
|MyLamarPA||Be sure to check your campus E-mail and Course Homepage using MyLamarPA campus web portal (My.LamarPA.edu). When you’ve logged in, click the email icon in the upper right-hand corner to check email, or click on the “My Courses” tab to get to your Course Homepage. Click the link to your course and review the information presented. It is important that you check your email and Course Homepage regularly. You can also access your grades, transcripts, and determine who you academic advisor is by using MyLamarPA.|
|Course Description||Overview of the recording studio. Includes basic studio electronics and acoustic principles, waveform properties, microphone concepts and placement techniques, studio set up and signal flow, console theory, signal processing concepts, multi-track principles and operation, and an overview of mixing and editing.|
Pro Tools 101 Version 8.0; by Avid Technology, Frank D Cook
Modern Recording Techniques; by Huber, Runstein; 7th Edition
This is a 4 credit course that is required to meet 6 hours per week.
You get one "free" absence before your lates/absences start to count against your grade in the Attendance category. After that, each TR absence deducts 7.5% of your attendance grade. Three lates = one absence.
|Course Grading Scale||90 - 100 = A 80 - 89 = B 70 - 79 = C 60 - 69 = D Below 59 = F|
|Determination of Final Grade||
Class Attendance 10%
Class Participation 5%
Written Midterm Exam 10%
Written Final Exam 10%
Hands-On Midterm Exam 10%
Hands-On Final Exam 10%
Boost/Cut Quizzes 10%
Multi-track Session Follow 5%
Attendance/Participation: Attendance for this class is mandatory and does affect class semester grades. You get one "free" absence before your lates/absences start to count against your grade in the Attendance category. After that, each MWF absence deducts 5% of your attendance grade, each TR absence deducts 7.5% of your attendance grade. Three lates = one absence. No exceptions. Attendance will be taken at the beginning of each class, a record will be kept, and you will be updated at midterm regarding your progress in this area.
Exams: A series of written exams will be administered over the semester covering reading assigned in lecture, as well as information covered in lab. Some information covered in lab is not in the textbook, so attendance is mandatory. You are responsible for all information, even if you are absent.
Midterm/Final: Midterm and Final exams will be a comprehensive testing of the subjects that have been covered up until that point. There will be both a hands-on and a written midterm and final, each section accounting for half of the grade.
Critical Listening: Students will be expected to be able to identify frequencies consistent with a 31 band graphic eq in white noise and also music, both as a cut and as a boost. This will account for part of the project grade.
Projects: Students will be assigned hands on projects to show an ability to record and manipulate sound in Pro Tools, and to use the patch bay. Some of these projects must be completed on campus, unless the student has access to microphones and Pro Tools outside of campus. No projects will be accepted after the due date.
Final Exam: Final exam/proficiency for this class is held during the week of finals. ATTENDANCE IS MANDATORY. Exam will include a written test and/or a “hands-on” proficiency test of Studio Process skills to include signal flow and microphone knowledge/technique. YOU MUST PASS THIS HANDS-ON FINAL EXAM TO PASS THE COURSE!
As this course is a part of a workforce development program, certain additional requirements are expected from students enrolled in the class. These include mandatory attendance, punctuality, courteous and respectful conduct towards everyone in the classroom, and the expectation that a student will apply themselves to the best of their abilities. All of these qualities are to be expected in a professional workplace and are therefore also expected in this class
|Final Exam Date||May 10, 2012 - 11:00 AM|
Week 1: Lecture Intro/ Lab Studio Setup, Chapter 1
Week 2: Lecture Chapter 1/ Lab Chapter 2, Test 1
Week 3: Lecture Test 1/ Lab Chapters 3 and 4
Week 4: Lecture Chapter 2/ Lab Chapters 4 and 5, Test 2
Week 5: Lecture Chapter 2/ Lab Chapter 7, Studio Input Routing
Week 6: Lecture Test 2/ Lab Test 3
Week 7: Lecture Chapter 3/ Lab Chapter 8, Boost White Noise
Week 8: Lecture Chapter 3, Studio Design/ Lab Test 4
Week 9: Lecture Midterm, Studio Design due/ Lab Editing Project
Week 10: Lecture Test 3/ Lab Hands-on Midterm
Week 11: Lecture chapter 4/ Lab Chapter 9,
Week 12: Lecture Test 4/ Lab Test 5
Week 13: Lecture Chapter 5/ Lab Commercial, Boost Song
Week 14: Lecture Chapter 6/ Lab Karaoke
Week 15: Lecture Test 5/
Week 16: Final Review
Week 17: Finals
|Calendar of Lecture Topics and Major Assignment Due Dates||
1) Multi-track session follow
2) Studio Design
3) Editing Project
|General Education/Core Curriculum Student Learning Outcomes||
|Program Student Learning Outcomes||
1. Apply commercial music sound technology to their professional practice.
a. Demonstrate an understanding of the role, duties, and responsibilities of the producer.
b. Demonstrate proper microphone placement and use of room acoustics in a recording session.
c. Utilize editing techniques that are effective and appropriate.
d. Utilize mixing techniques that are effective and appropriate.
e. Develop a production budget for recording projects.
f. Apply sound technology techniques to projects, reflecting specific markets.
g. Develop a signal flow for instrument, microphone, preamp, and input.
h. Manage session time.
2. Apply commercial music performance skill to support sound engineering practice.
a. Utilize theory skills in the recording, editing and mixing process.
b. Utilize keyboard skills in the recording, in relation to the quality of the recording process.
3. Applies basic music industry principles to professional practice.
a. Demonstrates an understanding of basic performance rights.
b. Applies appropriate microphone, staging, and set-list protocol for the venue and audience.
c. Promotes performances.
d. Demonstrates an understanding of legal issues.
4. Demonstrates professional behavior as characterized by a commitment to the profession.
a. Demonstrates a commitment to the profession with attendance, persistence in the program, and timeliness to classes, rehearsals, and performances and/or recording sessions.
|Course Student Learning Outcomes||
1. Identify acoustic and electronic concepts (PSLO 1c)
2. Describe waveform properties (PSLO 1b)
3. Explain microphone characteristics and placement (PSLO 1b)
4. Describe studio set-up and signal routing (PSLO 1g)
5. Explain console and recording operation techniques (PSLO 1g)
6. Identify basic recording studio procedures (PSLO 1a, 1h)
|Academic Honesty||Academic honesty is expected from all students, and dishonesty in any form will not be tolerated. Please consult the LSC-PA policies (Section IX, subsection A, in the Faculty Handbook) for consequences of academic dishonesty.|
|ADA Considerations||The Americans with Disabilities Act (ADA) is a federal anti-discrimination statue that provides comprehensive civil rights for persons with disabilities. Among other things, this legislation requires that all students with disabilities be guaranteed a learning environment that provides for reasonable accommodation of their disabilities. If you believe you have a disability requiring an accommodation, please contact the Special Populations Coordinator, Room 210D, in the Madison Monroe Building. The phone number is (409) 984-6251.|
Some material in this course may be copyrighted. They may be used only for instructional purposes this semester,
by students enrolled in this course. These materials are being used fairly and legally.
No one may distribute or share these copyrighted materials in any medium or format with anyone outside this class,
including publishing essays with copyrighted material, uploading copyrighted material to Facebook or YouTube, or
painting or performing copyrighted material for public display.
Copyright violation is not the same thing as plagiarism. Plagiarism is intellectual dishonesty. Offenses of plagiarism result in lower grades or failing scores, and professors and the college strictly enforce plagiarism rules. There is never any acceptable use of plagiarism. Copyright violation is a legal offense, punishable by large fines and penalties.
Copyrighted material can be used if permission from the material’s creator is obtained, or if its use meets the standards of fair use in an educational setting. For example, a student can quote a line from Shakespeare’s Hamlet in a report without violating copyright but still be guilty of plagiarism if the quotation is not properly documented.
If you are in doubt about what material can be freely used, ask your professor or contact the Dean of Library Services, at (409) 984-6216.
Assessment is a process by which LSCPA can help you learn better and gauge the level of progress you have made to
attain knowledge, skills, beliefs, and values. It also helps your professors understand how to improve teaching
and testing methods in your classes, and it helps each department understand and improve degree and certificate
Periodically LSC-PA will collect assessment data for research and reporting purposes, including statistical data and sometimes copies of your work. Be assured that all material the college uses for assessment purposes will be kept confidential. To ensure anonymity, your name will be removed from any material we use for assessment purposes, including video-recorded performances, speeches, and projects.
If you object to allowing LSC-PA to use your material for assessment purposes, submit a letter stating so to your professor by the 12th class day. You will still be required to participate in whatever assessments are being done; we just won’t use your data.
What’s the difference between assessment and grades? The grades you get on papers, projects, speeches, and assignments are specific types of focused assessment. LSC-PA’s assessment efforts include class grades, surveys, standardized tests, and other tools.
Federal privacy laws apply to college students. This means that college employees, including instructors, cannot
divulge information to third parties, including parents and legal guardians of students. Even if the students are
minors, information about their college work cannot be shared with anyone except in very limited circumstances.
Anyone requesting information about a student should be referred to the Registrar. Instructors will be notified in writing by that Office about what information may be released and to whom.
Please remember that releasing private information about a student, however innocuous it may seem, can be a violation of federal law, with very serious consequences.
Circumstances under which information may be released:
An adult student may submit, to the Registrar, a handwritten, signed note granting permission for release of
information. The note must specify what information may be divulged, and it must specify the name of the person
to whom the information may be given.
The Registrar’s office is located in the Student Center room 303B, and can be reached at (409) 984-6165.
This course helps add to the students’ overall collegiate experience in the following ways:
|Degree Plan Evaluation||
A Degree Plan Evaluation will help you determine which classes you need to complete your program.
All of the classes that you have taken that apply to your declared major will be listed on the right. If you have a class that still needs to be completed, a “NO” will be listed on the right next to the required class.
|HB 2504||This syllabus is part of LSC-PA’s efforts to comply with Texas House Bill 2504.|
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